Seven samurai essay

Seven samurai analysis

Kambei embodies model heroism and selflessness. Occupation forces that implemented an enforced democracy oversaw the Japanese film industry and required pre-approval of all film scripts prior to their production. Indeed, we learn that these villagers had earlier been hostile to samurai-and one of them, even now, hysterically fears that a samurai will make off with his daughter. This shows that all samurai carry their katana with them, dead or alive; they take tradition very seriously and never part with their swords. Thusly, the title does not refer to them as ronin, but samurai, because based on their selflessness on behalf of the farming village, each remains true to the mores established in bushido code. Viewed Oct 1, This essay is based on films of the same story, told in different ways, with emphasis, themes, meaning and interpretation shaped or shaded by the situation of the storyteller; the cinematic mise-en-scene. Later, in the village, the pubescent Katsushiro frolics in a flower field and finds a sweetheart in village farmgirl, Shino Keiko Tsushima —with whom he exchanges a number of wide-eyed glances and even a brief roll in the hay. Amid the trained and noble warriors there are two exceptions. Real samurai existed in Japan from the late twelfth century until industrial, militarized society overtook the country with the Meiji Restoration in In these ways, he is characterized in opposition to the samurai who we come to respect throughout the film and whose morality we tend to agree with, such as Kambei and Gorobei. But to hear it from director Kurosawa, the most important inroad Seven Samurai made was on home turf.

They kowtow and lie, playing innocent the whole time. Pudgy, yet a fruitful warrior, he joins without an instant of hesitation.

When they are left alone in the rain, she remains on the ground weeping, while Katsushiro stands off to the side, ashamed perhaps of this failure to protect her.

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Samurai films exhibit two basic dramatic styles. But such is the existence of the samurai, and for them, it is enough. In each case, death is clumsy and unforgiving and unsophisticated.

Seven samurai essay

Later, after the bandits have been repulsed, a wounded bandit falls in the village square, and now the villagers rush forward with delayed bravery, to kill him. An audacious use of slow motion in the sword fight scenes of Chapters four and seven give them a highly sophisticated dramatic charge. Why, for the adventure of it all, of course. Repeated viewings of "The Seven Samurai" reveal visual patterns. I had no idea what a samurai was … and why was everyone going bald and wearing pyjamas? In the first, the villagers have heard the bandits are coming, and rush around in panic. In theory. The disgrace of this loss, he knows, will drive them to kill themselves. Kurosawa was believed to be tyrannical by many, and his autocratic control over every detail might not have appealed to his lesser actors, but the onscreen result of his alleged harshness remains undeniably sound.

Foreigners were expelled; Japan became a closed country, cut off from the outside world. Damn you to hell! He fights for his love of battle, not for money or rank.

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Kurosawa, himself descended from a samurai clan, makes no bones about this dark side of the samurai tradition. Instead of the slow, ritualistic, and highly theatrical style of the typical sixteenth-century saga, Seven Samurai moved with the sure swiftness of a Hollywood action epic, like Gunga Din or Stagecoach.

Their accomplishments are swiftly dismissed as the villagers rejoice, immediately forgetting that their saviors are still there, on the horizon. Here you can see two genres at war: The samurai movie, and the Western with which Kurosawa was quite familiar.

His character is allowed the most development over the course of the film, and though it is an ensemble cast, he is the central character in many ways or at least his development takes a very central role.

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Japanese Samurai Film Genre Essays