An analysis of transition to adulthood in where are you going where have you been by joyce carol oat
In the pre-feminist milieu of the story, sisterhood is no more powerful than motherhood.
Connies character is a teenage girl who views herself as an adult who pays little attention to authority given by her parents.
The very common, unassuming nature of her surroundings lets readers imagine the story could happen anywhere. She has always scorned such criticism as sexist.
Where are you going where have you been analysis
Connie fears that life is taking her to a moment in which she too will be scuffling around in old bedroom slippers with nothing but photos to remind her of her adolescent flowering, nothing but a tired, silent husband to remind her of the sweet caresses of love. Such recognizable details of American adolescent life as popular music, radio disc jockeys, cars, drive-in restaurants, and shopping plazas feature in the plot, yet they also seem fixed in an unreal and stylized teenage past shaped by movies, before mall rats, drugs, date rape, or The Pill. From the driveway Ellie Oscar offers to pull out the phone line, angering his partner. She is the Roger S. Karin Salvalaggio was born in West Virginia and raised in an Air Force family, growing up on a number of military bases around the US and overseas. As a growing teenager, she yearned for the attention of older guys; which put her in situations in which she was not mature enough to understand what was happening Music threads through the prose, grounding it in a time when the worship of God was quickly giving way to the worship of popular culture. Few women writers were included among these first literary Gods, for in the process of national canonization, American women writers and artists such as Harriet Beecher Stowe or Kate Chopin had been left out of anthologies. In these tales victims are often shown gazing into mirrors, admiring their own beauty, much like the teenaged Connie. Pleased, he tells her that her family would never have done this for her. Yet the most prevalent and widely supported theories hold that Arnold Friend is a malevolent supernatural being, like the devil or death incarnate. Where Have You Been" is a fifteen-year-old girl, just realizing her beauty. Throughout the story Connie alternates between two very different sides of her personality, one side where she is innocent and young, and the other where she is mature Connie is a typical teenage girl with a desperate need for independence.
Some of these changes are small such as the passing from one grade to another in school. Henry Awards This disturbs her but she cannot pinpoint why.
This marked lack of authority allows Connie to begin asserting her will and independence. Connie cannot have it all. Inthe story was the basis of a commercially successful film, Smooth Talkdirected by Joyce Chopra, which in its turn became the subject of much feminist debate.
Where are you going where have you been theme
Their shared appreciation of the same radio station leads Connie to initially trust Arnold Friend, allowing him to lure her in. She is the Roger S. While her parents are away on a Sunday afternoon, Connie is approached by a strange man named Arnold Friend who is determined to seduce her and steal her away. This unfamiliar land could represent the afterlife, as Connie crosses through a spiritual threshold. Neither is in a position to provide guidance or protection. Arnold Friend threatens to harm her family is she does not cooperate with him. If so, it would fit Joyce Carol Oates short tale perfectly. He will spare them if she comes willingly. She started writing very young and that the age of fifteen she submitted her first novel, but it was rejected for being 'too dark';. Ideas for the story lines of many motion pictures get their inspiration from other works of writing often. At that moment, Connie was easily manipulated and persuaded.
She notices he and his friend, who is seated in the passenger seat, are listening to the same radio station she was up in her room.
Oates goes into depth regarding the transition from being a carefree, innocent child to adulthood.
Greg Johnson, a critic who is also writing a biography of Oates, is among those who take the opposite view. Lastly, verbal irony is when speaker says something contradictory to their underlying emotions and actions. In her backyard and in her bedroom, she easily drifts in and out of dreams, lulled by the music she loves.
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